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	<title>Shankar Narayan | Writers.com</title>
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		<title>You Are Drinker and You Are Wine: Writing with the South Asian Sufis</title>
		<link>https://writers.com/course/you-are-drinker-and-you-are-wine-writing-with-the-south-asian-sufis</link>
		
		<dc:creator><![CDATA[Sean Glatch]]></dc:creator>
		<pubDate>Fri, 07 Jul 2023 18:48:30 +0000</pubDate>
				<guid isPermaLink="false">https://writers.com/?post_type=product&#038;p=17674</guid>

					<description><![CDATA[<p>Through the traditions of Sufi poetry, learn how to write poems that access the divine and stand the test of time.</p>
<p>The post <a href="https://writers.com/course/you-are-drinker-and-you-are-wine-writing-with-the-south-asian-sufis">You Are Drinker and You Are Wine: Writing with the South Asian Sufis</a> appeared first on <a href="https://writers.com">Writers.com</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>All Levels | Sufi poetry and music make a magical space in which lover and beloved engage in an eternal dance, yearning towards union with the divine. While Rumi is likely the best known Sufi poet in the West, South Asian Sufis such as Amir Khusrau, Baba Bullhe Shah, Ghulam Farid, and many others are equally deserving of acclaim in their own right, creating ecstatic poetry that has stood the test of time. Sufism—a mystical form of Islam focused on the direct experience of divine love—has an intensely felt and achingly beautiful poetic tradition that has evolved over many centuries, creating a unique vision of supreme reality. In this tradition, to have truly loved is to have truly lived—and its poetics offer a small taste of that ecstasy.</p>
<p>In this part-analytical, part-generative intensive, we’ll engage the inspiring work of these multi-talented poets though reading, watching, and listening, including qawwali musical performances that are an integral part of this living tradition. We’ll look at works from the earliest centuries of Sufism in South Asia, all the way to present-day poets writing in this storied tradition. And we’ll use the sparks of these voices, passed down over nearly a thousand years, to generate our own inspired writing.</p>
<p>This course is for writers in any genre, of any experience level, and of any (or no) particular spiritual or faith background. In each class, there will be discussion of individual poems and broader Sufi concepts; opportunities to write with one or more inspiring prompts; and space to share our own work with one another. Writers will leave with a newfound understanding of Sufi poetic traditions, resources for doing deeper dives into this inspiring body of work, many new writing starts, and a new community with which to continue their exploration.</p>
<p>This Class is About</p>
<ul>
<li>Understanding and tasting the voice of divine ecstasy in South Asian Sufi writing through reading poems and commentary, as well as listening to sung and spoken pieces</li>
<li>Gaining knowledge of the Sufi philosophies that underpin these pieces, giving writers outside this tradition a glimpse of works they might not otherwise encounter</li>
<li>Generating our own inspired writing through listening to qawwalis, doing deep reads of particular pieces, and writing in community and on our own, generating strong, electric new work</li>
<li>Creating a community of writers that can energize and share and support one another, both within and outside class</li>
</ul>
<h2>Syllabus</h2>
<p>This class will meet on Zoom Tuesdays from 7-9 P.M. U.S. Eastern Time.<br />
<div class="lightweight-accordion"><details open><summary class="lightweight-accordion-title"><span>Class 1: The Beloved Mirror: Sufism and Qawwali in the South Asian Context</span></summary><div class="lightweight-accordion-body"><ul>
<li>Intro to Sufism in South Asia</li>
<li>Connections with bhakti poetry</li>
<li>Intro to qawwali</li>
<li>Selected poems</li>
</ul>
</div></details></div><div class="lightweight-accordion"><details><summary class="lightweight-accordion-title"><span>Class 2: The Flower Reseeded: Persian and Hindavi Origins</span></summary><div class="lightweight-accordion-body"><ul>
<li>Sheikh Abdullah Ansari (Persian)</li>
<li>Sanai Ghaznavi (Persian)</li>
<li>Abdur-Rahman Jami (Persian)</li>
<li>Sarmad (Persian)</li>
<li>Amir Khusrau (Hindavi)</li>
<li>Kabir (Hindavi)</li>
</ul>
</div></details></div><div class="lightweight-accordion"><details><summary class="lightweight-accordion-title"><span>Class 3: A Wider Blossoming: The Punjabi Sufis</span></summary><div class="lightweight-accordion-body"><ul>
<li>Baba Bullhe Shah (Punjabi)</li>
<li>Sultan Bahu (Punjabi)</li>
<li>Waris Shah (Punjabi)</li>
<li>Ghulam Farid (Saraiki/Punjabi)</li>
<li>Mian Muhammad Baksh (Punjabi)</li>
</ul>
</div></details></div><div class="lightweight-accordion"><details><summary class="lightweight-accordion-title"><span>Class 4: The Garden of Truth: Regional Languages, Newer Traditions</span></summary><div class="lightweight-accordion-body"><ul>
<li>Lal Ded (Kashmiri)</li>
<li>Shah Abdul Latif Bhittai (Sindhi)</li>
<li>Shah Niaz (Persian, Urdu, Hindi)</li>
<li>Hazrat Inayat Khan (Urdu and English)</li>
<li>Contemporary South Asian Sufi-inspired poetry</li>
</ul>
</div></details></div><br />
	
		<div class="past-event"><a style="display:none">You Are Drinker and You Are Wine: Writing with the South Asian Sufis</a><div style="" class="schedule-alert-holder"><a style="cursor: pointer;" class="schedule-alert submit-interested"><i class="fa fa-star-o"></i> <strong>Notify me when this course is scheduled</strong></a><p></p><div class="schedule-alert-clicked" style="display: none;"></div></div></div>

	</p>

<p>The post <a href="https://writers.com/course/you-are-drinker-and-you-are-wine-writing-with-the-south-asian-sufis">You Are Drinker and You Are Wine: Writing with the South Asian Sufis</a> appeared first on <a href="https://writers.com">Writers.com</a>.</p>
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		<title>Iconoclast: Reimagining the Line Break</title>
		<link>https://writers.com/course/iconoclast-reimagining-the-line-break</link>
		
		<dc:creator><![CDATA[Sean Glatch]]></dc:creator>
		<pubDate>Wed, 01 Feb 2023 18:10:57 +0000</pubDate>
				<guid isPermaLink="false">https://writers.com/?post_type=product&#038;p=16190</guid>

					<description><![CDATA[<p>Poets can express so much in just a line break. Hone this tool of the poetic craft in this two part Zoom workshop.</p>
<p>The post <a href="https://writers.com/course/iconoclast-reimagining-the-line-break">Iconoclast: Reimagining the Line Break</a> appeared first on <a href="https://writers.com">Writers.com</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>The line break is the poet’s Swiss Army tool. Conventional wisdom blesses and outlaws many line break moves—but is it right? We’ll take a deep dive into line breaks, not so much to determine the right way to do them—there isn’t one—but to reimagine together the choices poets have in deploying them. Writers will leave with an expanded sense of creative possibilities and the shards of a few crumbled line break myths. Bring three existing pieces and an open mind.</p>
<h2>Zoom Schedule</h2>
<p>This course will meet from 1-3:30 P.M. U.S. Eastern Time on Saturday, February 25th, and Sunday, February 26th.</p>
<h2>Syllabus</h2>
<p><div class="lightweight-accordion"><details open><summary class="lightweight-accordion-title"><span>Day 1</span></summary><div class="lightweight-accordion-body"><p>
We’ll start with first principles, deconstructing what we think we know about line breaks and building theories, philosophies, and possibilities of line breaks from the ground up. We’ll challenge and pressure test line break orthodoxy head-on, examining a diverse set of source poems, and working on rebreaking our own pieces as well as those of others.</p>
</div></details></div><div class="lightweight-accordion"><details><summary class="lightweight-accordion-title"><span>Day 2</span></summary><div class="lightweight-accordion-body"><p>
Returning to class with our rebroken pieces, we’ll continue to build our evolving line break philosophies, working as a collective to broaden our pool of ideas around what line breaks can do. We’ll leave with plenty of hands-on practice, comparing and contrasting the ways in which various line break deployments can alter the impact of a piece.</p>
</div></details></div><br />
	
		<div class="past-event"><a style="display:none">Iconoclast: Reimagining the Line Break</a><div style="" class="schedule-alert-holder"><a style="cursor: pointer;" class="schedule-alert submit-interested"><i class="fa fa-star-o"></i> <strong>Notify me when this course is scheduled</strong></a><p></p><div class="schedule-alert-clicked" style="display: none;"></div></div></div>

	</p>

<p>The post <a href="https://writers.com/course/iconoclast-reimagining-the-line-break">Iconoclast: Reimagining the Line Break</a> appeared first on <a href="https://writers.com">Writers.com</a>.</p>
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		<title>Techwashed!: Writing with AI, Data, and Surveillance</title>
		<link>https://writers.com/course/techwashed-writing-with-ai-data-and-surveillance</link>
		
		<dc:creator><![CDATA[Sean Glatch]]></dc:creator>
		<pubDate>Tue, 08 Nov 2022 20:12:26 +0000</pubDate>
				<guid isPermaLink="false">https://writers.com/?post_type=product&#038;p=15283</guid>

					<description><![CDATA[<p>Raise a mirror against society's relationship to technology in this two part workshop series where we will learn how to write about tech.</p>
<p>The post <a href="https://writers.com/course/techwashed-writing-with-ai-data-and-surveillance">Techwashed!: Writing with AI, Data, and Surveillance</a> appeared first on <a href="https://writers.com">Writers.com</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>Tech is our own dark mirror, transforming humanity’s endeavors, impacting marginalized communities, and raising unique writing challenges. Artificial intelligence and the data that feed it are challenging our society’s foundations, empowering some, disempowering others, and changing our writing and thinking in the process.</p>
<p>In this part-generative, part-analytical two-day intensive course, we’ll explore the challenges of writing with and about tech with courage and authenticity, while exploring humanity’s love affair with tech. We’ll examine the language of this revolution through close reads of relevant materials including everything from essays and commentary, to poetry, fiction, and manifestos, to religious scriptures, and even algorithms themselves. We’ll talk about what it all means, challenging our understandings of how tech interacts with disinformation, intolerance, the environment, and power. And we’ll riff off those materials to generate our own technologically inspired pieces. Come ready to write!</p>
<p>Note: No prior tech knowledge or skill is required. Prior iterations of this class have included participants with a wide range of relationships to tech, all of whose perspectives enriched and broadened our discussions.</p>
<h2>This Class is About:</h2>
<ul>
<li>Applying a critical lens to technology in the present moment as well as in a historic context, while better understanding and analyzing how it impacts our language, writing, and thinking</li>
<li>Using these rich materials and their energy to fuel and inspire our own tech-inspired writing</li>
<li>Creating a community of writers that can energize and share and support one another, both within and outside class</li>
</ul>
<h2>Course Outline</h2>
<p>Each class unit will include one or more writing exercises. Students will be able to work on their writing starts between classes, share their work with peers, and submit them for instructor feedback as well, if desired.</p>
<p>We will meet each class from 1-5 P.M. U.S. Eastern time.<br />
<div class="lightweight-accordion"><details open><summary class="lightweight-accordion-title"><span>Class 1</span></summary><div class="lightweight-accordion-body"><p>
Saturday, December 3rd</p>
<p><strong>Unit 1: Precipice:</strong> How tech is transforming our experiences, our power relationships, our language, and our world. This will be our introduction to the big-picture issues that will inspire our writing in the rest of the class, via current poetry, prose, and commentary.</p>
<p><strong>Unit 2: Panopticon:</strong> Surveillance, data hemorrhage, societal memory/forgetting, and inequity. Here, we&#8217;ll turn our critical lens to past and present surveillance narratives, examining how historic surveillance in the context of power relationships have brought us to the present moment.</p>
</div></details></div><div class="lightweight-accordion"><details><summary class="lightweight-accordion-title"><span>Class 2</span></summary><div class="lightweight-accordion-body"><p>
Saturday, December 10th</p>
<p><strong>Unit 3: Dystopia:</strong> Data-driven decision-making via algorithm, Big Tech, and power. Building on previous units, we&#8217;ll turn fully to our current reality, where algorithms hold increasing importance in the critical decisions that shape our lives &#8212; yet are often deployed without accountability to those they impact, and clarity on how they operate.</p>
<p><strong>Unit 4: Singularity:</strong> Superhumans, robots, animals, and gods. With all this rich material resonating in our minds, we&#8217;ll turn to the future of the future &#8212; ie, what worlds and beings can we imagine our current inflection point unleashing? What will define the human parts of us and our world, and what importance will they carry? We&#8217;ll continue to give our imaginations free reign to inspire our energized writing.</p>
</div></details></div><br />
	
		<div class="past-event"><a style="display:none">Techwashed!: Writing with AI, Data, and Surveillance</a><div style="" class="schedule-alert-holder"><a style="cursor: pointer;" class="schedule-alert submit-interested"><i class="fa fa-star-o"></i> <strong>Notify me when this course is scheduled</strong></a><p></p><div class="schedule-alert-clicked" style="display: none;"></div></div></div>

	</p>

<p>The post <a href="https://writers.com/course/techwashed-writing-with-ai-data-and-surveillance">Techwashed!: Writing with AI, Data, and Surveillance</a> appeared first on <a href="https://writers.com">Writers.com</a>.</p>
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		<title>I’ve Drunk Your Poisoned Nectar: Writing with the Goddess</title>
		<link>https://writers.com/course/ive-drunk-your-poisoned-nectar-writing-with-the-goddess</link>
		
		<dc:creator><![CDATA[Frederick Meyer]]></dc:creator>
		<pubDate>Sat, 17 Sep 2022 23:38:21 +0000</pubDate>
				<guid isPermaLink="false">https://writers.com/product/ive-drunk-your-poisoned-nectar-writing-with-the-goddess</guid>

					<description><![CDATA[<p>Dig deep into the rich mythology of South Asian goddesses to find new inspiration for your work in this generative, open-genre writing class.</p>
<p>The post <a href="https://writers.com/course/ive-drunk-your-poisoned-nectar-writing-with-the-goddess">I’ve Drunk Your Poisoned Nectar: Writing with the Goddess</a> appeared first on <a href="https://writers.com">Writers.com</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>Hinduism’s Goddess tradition is arguably the most ancient among those of world religions, dating back many millennia. More powerful than her male counterparts Shiva or Vishnu, the Goddess in Hindu mythology embodies the energy that animates all of creation. Whether known as Shakti, Durga, Kali, Uma, or by her thousands of other names, she encompasses within herself all aspects of the godhead—creation, preservation, and destruction. She slays demons amid oceans of gore, enacts cosmic transformations, and dispenses unending compassion for her devotees. She is the divine feminine, yet transcends gender, matter, and time entirely.</p>
<p>In this part-generative, part-analytical class, we’ll take a deep dive into the Goddess’s rich mythology and philosophy, deepening our understanding of the Goddess’s many aspects. Along the way, we’ll do deep reads of varied selections from the millennia of writings she has inspired—including scripture, poetry, treatises, and more. And we’ll use this rich inspiration to write our own Shakti-animated pieces.</p>
<p>This course is for writers in any genre, of any experience level, and of any (or no) particular spiritual or faith background. Writers will leave with a Goddess-inspired writing toolkit, including resources for doing deeper dives into this inspiring mythology, many new writing starts, and a new community with which to continue their exploration.</p>
<h2>Course Aims</h2>
<p>This course is about:</p>
<ul>
<li>Providing a systematic introduction to the many interesting and contradictory aspects of the Goddess</li>
<li>Situating the evolution of the Goddess within a long history of social conflict and development, including within current conceptions of gender diversity and feminism</li>
<li>Writing together with this energy and sharing in non-judgmental space where the artist’s choices are supported and respected</li>
<li>Creating a community of writers that can energize and share and support one another, both within and outside class</li>
<li>Beginning or completing 1 to 2 new pieces of writing each week</li>
</ul>
<h2>Weekly Zoom Meetings</h2>
<p>This class includes a two-hour weekly Zoom component. During that time, we&#8217;ll review, analyze, and discuss key selections from Goddess-related texts while building a supportive community together. We&#8217;ll also engage with and freewrite in response to unique writing prompts related to materials covered that week. At least three such prompts will be provided each week, and students are encouraged to write in response to at least two of them.</p>
<p>We will meet each Wednesday from 8 to 10 PM Eastern time / 5 to 7 PM Pacific time.</p>
<h2>Course Syllabus</h2>
<p><div class="lightweight-accordion"><details open><summary class="lightweight-accordion-title"><span>Week One</span></summary><div class="lightweight-accordion-body"><p>
Mahadevi: Intro to Hinduism; intro to various Goddess aspects; history of the Goddess</p>
</div></details></div><div class="lightweight-accordion"><details><summary class="lightweight-accordion-title"><span>Week Two</span></summary><div class="lightweight-accordion-body"><p>
Aditi and Durga: The Vedic Goddesses and the Devimahatmya, part 1</p>
</div></details></div><div class="lightweight-accordion"><details><summary class="lightweight-accordion-title"><span>Week Three</span></summary><div class="lightweight-accordion-body"><p>
The Matrikas: The Devimahatmya, part 2</p>
</div></details></div><div class="lightweight-accordion"><details><summary class="lightweight-accordion-title"><span>Week Four</span></summary><div class="lightweight-accordion-body"><p>
Sati and Parvati: The Goddess in Shaivite perception</p>
</div></details></div><div class="lightweight-accordion"><details><summary class="lightweight-accordion-title"><span>Week Five</span></summary><div class="lightweight-accordion-body"><p>
Lakshmi and Saraswati: The Goddess in Vaishnavite perception</p>
</div></details></div><div class="lightweight-accordion"><details><summary class="lightweight-accordion-title"><span>Week Six</span></summary><div class="lightweight-accordion-body"><p>
Draupadi and Sita: The Goddess in the epics</p>
</div></details></div><div class="lightweight-accordion"><details><summary class="lightweight-accordion-title"><span>Week Seven</span></summary><div class="lightweight-accordion-body"><p>
Radha and Vithai: Village Goddesses</p>
</div></details></div><div class="lightweight-accordion"><details><summary class="lightweight-accordion-title"><span>Week Eight</span></summary><div class="lightweight-accordion-body"><p>
Kali and the Mahavidyas: Tantric Goddesses</p>
</div></details></div><br />
	
		<div class="past-event"><a style="display:none">I’ve Drunk Your Poisoned Nectar: Writing with the Goddess</a><div style="" class="schedule-alert-holder"><a style="cursor: pointer;" class="schedule-alert submit-interested"><i class="fa fa-star-o"></i> <strong>Notify me when this course is scheduled</strong></a><p></p><div class="schedule-alert-clicked" style="display: none;"></div></div></div>

	</p>

<hr />
<p>The post <a href="https://writers.com/course/ive-drunk-your-poisoned-nectar-writing-with-the-goddess">I’ve Drunk Your Poisoned Nectar: Writing with the Goddess</a> appeared first on <a href="https://writers.com">Writers.com</a>.</p>
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		<title>You Yourself Are the Beloved: Writing with South Asian Ghazals</title>
		<link>https://writers.com/course/writing-with-south-asian-ghazals</link>
		
		<dc:creator><![CDATA[Frederick Meyer]]></dc:creator>
		<pubDate>Sat, 17 Sep 2022 23:38:20 +0000</pubDate>
				<guid isPermaLink="false">https://writers.com/product/writing-with-south-asian-ghazals</guid>

					<description><![CDATA[<p>The ghazal poem has a rich history with a tricky form to master. Learn the ropes in this inspiring and electrifying workshop.</p>
<p>The post <a href="https://writers.com/course/writing-with-south-asian-ghazals">You Yourself Are the Beloved: Writing with South Asian Ghazals</a> appeared first on <a href="https://writers.com">Writers.com</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>The ghazal is one of the most popular forms of poetry anywhere, enchanting millions of aficionados for over a thousand years with its elegant lyricism, cutting wit, and heartrending emotion.  The ghazal originated in Arabia, but has reached its widest audience as an art form in South Asia. While there has been much analysis of the ghazal’s evolution in English, how the ghazal works as popular art—including its role in sung performances and films, and its profound and longstanding political impact—is less accessible to Western writers.</p>
<p>This class aims to give participants a flavor of that space, as well as practical tools to incorporate this inspiration into their writing.  We’ll consider the history of the ghazal, listen to performances of ghazals in Urdu and other languages, deep-read translations, consider what makes a good ghazal work, and create our own electric new works.  Writers will leave with a deepened appreciation for and knowledge of the ghazal, several new writing starts (including ghazals if they so desire), and resources to pursue a deeper exploration of this enchanting form.  Come ready to write!</p>
<p>This class is about:</p>
<ul>
<li>Developing an appreciation for South Asian ghazals through examination of the form and its history, listening to sung ghazals, and doing deep reads</li>
<li>Using this energy to fuel and inspire our own ghazal-inspired writing</li>
<li>Giving writers in this class a taste of writing in this tradition that they might not otherwise encounter</li>
<li>Creating a community of writers that can energize and share and support one another, both within and outside class</li>
</ul>
<h2>Workshop Schedule</h2>
<p>This class will include an overview of the ghazal structure, a dive into its history, deep reads of four or more ghazals (written in English or in translation), and at least three writing exercises to provide writers with an opportunity to create their own work. We will meet from 1-5 P.M. U.S. Eastern Time.</p>
	
		<div class="past-event"><a style="display:none">You Yourself Are the Beloved: Writing with South Asian Ghazals</a><div style="" class="schedule-alert-holder"><a style="cursor: pointer;" class="schedule-alert submit-interested"><i class="fa fa-star-o"></i> <strong>Notify me when this course is scheduled</strong></a><p></p><div class="schedule-alert-clicked" style="display: none;"></div></div></div>

	

<hr />
<p>The post <a href="https://writers.com/course/writing-with-south-asian-ghazals">You Yourself Are the Beloved: Writing with South Asian Ghazals</a> appeared first on <a href="https://writers.com">Writers.com</a>.</p>
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