Research illuminates the connections between our personal experiences and their broader meanings.

Done well, research makes our writing deeper and more significant. It bolsters the connection between “what I experienced or observed” and “what this experience or observation means.” It offers readers not only new information, but also new ways of looking at the world.

How Research Can Inform a Nonfiction Piece: An Example

Each essay in Shelter and Storm arose from some striking incident or discovery. While living in Wisconsin’s Driftless Area, it seemed all I had to do was step out the door and I would stumble into another topic, whether a record-breaking flood, a tornado, a rare, blue-glowing firefly, or a battle with beavers who kept damming a creek and flooding the neighbor’s field. Since I was curious and didn’t know a lot about the topics, I turned to research.

I love interviewing people, not only to tap their expertise, but also to find out how they feel. For one essay, I went to Louisiana and Mississippi to commiserate with landowners who had lost hundreds of acres of trees in Hurricanes Katrina and Rita right after I’d lost forty acres in a tornado. I rode around with foresters for three days.

My days of research became maybe 200 words in my final essay, but I needed to get the full picture of what people were grappling with.

Those days are represented by maybe 200 words in that essay. I knew while sitting in the foresters’ trucks, viewing toppled trees and listening to descriptions of the storms, that I wouldn’t use most of what I was learning. But it felt important for me to get the full picture of what people were grappling with. I discovered that although those forests were plantations of pines destined for lumber mills, property owners still felt crushing grief over their loss.

How to Use Research in Your Piece

Research can be used strategically for:

• filling gaps
• connecting the personal with the universal
• complicating matters to add interest
• challenging claims to reinforce veracity
• offering a metaphor to support a theme
• raising tension or prolonging suspense
• mirroring structure

When you find the perfect fact or anecdote to add to your work, consider how it might support your material beyond simply adding background information.

Balancing Scene, Research, and Reflection

When I teach writing, I talk about three elements that make up narratives: scene (what happened?), research (what else?), and reflection (what of it?). Each element enhances the others. You will balance these three elements, and where and how they intersect, based on your aims for your piece.

In my teaching, I discuss three elements that make up narratives: scene (what happened?), research (what else?), and reflection (what of it?).

The Risk of Including Too Much Research

Beware! One danger of researching is that the author will feel compelled to include more of what they learned than the reader needs. That’s why I advise you, during revision, to highlight in different colors the material in your work belonging to scene, research, and reflection.

One danger of research is that you’ll feel compelled to include more of what you learned than the reader needs.

Then, in your word processor, zoom out until each page is the size of a playing card or smaller. You won’t be able to read the words, but you can see at a glance, by color, if you have a long section of research that’s likely bogging down the narrative. You can zoom in there and cut or redistribute those findings.

Drawing Out Reflection

Research and scene come more easily to me than reflection. It takes me a while to articulate what I understand and feel about experiences. If you struggle with that, too, in revision, try responding to prompts such as:

• Only after learning ___________ did I realize ______________

OR

• I used to think ____________, but now I know _____________

What you’ve learned from experts, archives, and other sources will complement your experiences and observations and lead to new insights.

About Tamara Dean

Tamara Dean’s latest book, Shelter and Storm: At Home in the Driftless, is a collection of twelve true tales of discovery that inspire readers to live more mindfully in nature and community. Reviewers call it “luminous,” “fascinating,” and “a revelatory study of person and place, entwined.” Her stories and essays have appeared in The American Scholar, The Georgia Review, The Guardian, One Story, Orion, The Southern Review, and other publications. Her essay “Safer Than Childbirth” received a 2024 Pushcart Prize Special Mention and “Slow Blues” was named a 2021 National Magazine Award finalist.

Check out her upcoming courses with us:

• Writing with Consistency and Courage (Sep. 6)
• The Magic of Flash Nonfiction (Oct. 22)

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