In this course, we’ll explore the contours of the elusive genre named “Creative Nonfiction.” Just what does “Creative Nonfiction” look like? How does the CNF writer adopt elements of fiction to shape true stories into somehow—more? How can we use language to tell true stories that transcend story, while still being a joy to read?

In pursuit of answers, students will read, write and workshop every week. Each will we will study essays of various forms—memoir to journalism, personal essay to the hermit crab—as well as writing on the genre itself by the masters of Creative Nonfiction.

As we read, we will discuss how writers shape nonfiction in “creative” ways. We will also have a chance to apply the techniques discussed in class to our own writing through assigned weekly writing exercises and text-based peer workshop of those exercises.

In addition to these short exercises, students will work towards a complete draft of a full length (8-12 page) essay, which will be peer workshopped in the final two weeks of the course.

This course is open to all writers. No prior experience is necessary, but do come prepared to discuss the readings, share your own writing, try new ways of writing, and provide feedback to your peers. Weekly sessions will run 60 minutes.

Learning & Writing Objectives

By the end of this course, we will have:

• Come to a working definition of what creative nonfiction is and can be; become acquainted with the many forms and genres within creative nonfiction
• Developed an appreciation of the aesthetic elements of writing and learned to read with an eye for craft
• Gained firsthand workshop experience as both a participant and a writer
• Applied a variety of writing techniques to our own writing through weekly writing exercises
• Written a complete draft of one essay, and received detailed feedback on your draft, which you will be able to work on and submit for publishing after the course ends

Zoom Schedule

Branches of Creative Nonfiction will meet every Wednesday at 7 P.M. Eastern Standard Time. Zoom sessions will be approximately 60 minutes in length.

Weekly Syllabus: Branches of Creative Nonfiction

Just how many ways can one tell a nonfiction story? From the lyric essay to the hermit crab, we will explore the many forms of creative nonfiction.

Week 1: Creative Nonfiction?

What’s creative nonfiction? This week, we’ll talk about definitions and histories, read some flash creative nonfiction, and try our hand at a generative writing exercise.

Week 2: “I”

We’ll begin up close and personal with the memoir and the personal essay, both forms that privilege the experience of the narrator. We’ll use free writes to explore materials from our own lives.

Week 3: Features & Cultural Criticism

Tired of the personal? In week four, we’ll read essays that toe the line between journalism and creative nonfiction. You’ll get your last generative writing exercise. You’ll then be asked to choose one of the many pieces of writing you’ve generated over the last four weeks to build on and revise.

Week 4: Profile Writing

As a continuation of our lesson in looking “out” rather than “in,” this week we will read journalistic profiles and practice communicating someone else’s character and humanity through language.

Week 5: Hermit Crabs & Other Hybrid Forms

Now that you’ve decided what you’d like to write about, we’ll use this week to explore the possibilities in form and structure.

Week 6: The Lyric

This week, we’ll talk about and read examples of the elusive form called the “lyric essay.” We’ll continue working on our essays before we share them in workshop in the next two weeks.

Weeks 7 & 8: Workshop

In weeks 7 & 8, we will share the essays we’ve been working on and provide feedback to one another in class.

Why Take a Creative Nonfiction Course with Writers.com?

• We welcome writers of all backgrounds and experience levels, and we are here for one reason: to support you on your writing journey.
• Small groups keep our online writing classes lively and intimate.
• Work through your weekly written lectures, course materials, and writing assignments at your own pace.
• Share and discuss your work with classmates in a supportive class environment.
• Award-winning instructor Tess Fahlgren will offer you direct, personal feedback and suggestions on every assignment you submit.

Master the wide range of nonfiction writing. Reserve your spot today!

Student Comments

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As with all writing, place is in the particular: climate, flora and fauna, people, architecture, and culture. From Joan Didion to Pete Fromm, from nature to industry, city and country, the stories we tell exist in places deserving of thoughtful, creative exploration.

In response to readings and conversation on place, you will write up to 1,000 words weekly, in writing exercises that will be building blocks of a larger essay. Please come to class with an idea of the place you are writing or would like to write about. Each exercise will receive comprehensive feedback from instructor Tess Fahlgren, as well as from fellow participants.

Learning and Writing Goals

In this course, you will:

• Become skilled at embodying a specific place through Creative Nonfiction writing.
• Develop creative research ideas that will diversify the way they think and write about the environment.
• Read and discuss place-based Creative Nonfiction by established authors.
• Develop a rigorous writing practice by writing 1,000 words per week.
• Write a creative, unique piece of creative nonfiction at least eight pages in length that explores place through narrative.
• Achieve a personal goal you will set at the beginning of the course to explore a narrative and place of your choosing.

Zoom Meeting Schedule

Weekly Zoom sessions will be held on Thursdays from 5-6:00 PM MST starting May 26, 2022.

Place-Based Creative Nonfiction

Student Reviews

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